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- THE WEEK, Page 37ARTS & ENTERTAINMENTThe Way We Live Now
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- Pulitzers celebrate a corn-fed Lear and a truly off-Broadway play
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- The American Dream ain't what it used to be. So it seemed
- fitting that literary explorations of the tattered myths that
- once bound this country together led the pack for this year's
- Pulitzer Prizes.
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- Novelist Jane Smiley won the fiction award for A Thousand
- Acres, a heartrending Americanization of King Lear in which a
- prosperous Iowa farmer divides his land among three daughters.
- Fortunate Son: The Healing of a Vietnam Vet by Lewis B. Puller
- Jr. was cited in the biography category. Puller, whose late
- father "Chesty" was America's most decorated Marine, lost both
- his legs while serving as a lieutenant in Vietnam. The son's
- memoir provides unsparing commentary on how the nation has
- survived the agonies and complexities of that bitter conflict.
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- The nonfiction award went to The Prize: The Epic Quest for
- Oil, Money and Power, energy specialist Daniel Yergin's
- best-selling history of oil and how it has misshaped culture in
- the U.S., from fast food to foreign policy. The Pulitzer Board
- also voted a special award to Art Spiegelman, editor of the
- avant-garde graphic magazine Raw, for his unusual Maus tales,
- an autobiographical chronicle in comic-book form about the
- Holocaust, its survivors and their children in which Jews are
- portrayed as mice and Nazis as cats.
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- The biggest surprise came when the award for drama was
- announced: The Kentucky Cycle, a six-hour historical saga by the
- relatively unknown playwright Robert Schenkkan -- and the first
- play to win a Pulitzer without ever having been produced in New
- York City. His epic, which spans 200 years of American history
- as experienced by three eastern Kentucky families, premiered in
- Seattle last June and completed a six-week run in Los Angeles
- last month.
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- Disturbed by the growing gap between rich and poor in the
- U.S., Schenkkan, who grew up in Texas and lives in California,
- wrote the first of the nine plays that make up the Cycle in
- 1984, following a visit to Kentucky. "Society falls apart when
- the underlying myth no longer functions," he says, paraphrasing
- Joseph Campbell. "Now there's a quest for a new mythology, and
- I'd like to think this play is part of that search."
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